Garden 114

In the winter of 2001 the artists Heather and Ivan Morison acquired an overgrown allotment in Edgbaston, Birmingham. Once they had restored some semblance of order they became fascinated by the garden, which, after years of neglect, revealed the original Victorian beds and layout, as well as old apple trees and rose bushes. Thus emerged the character of Ivan Morison 'the gardener', who periodically reports, through printed cards, on the various horticultural activities that take place on his plot. As the Morisons recall, their intention when they acquired their plot was to use it as the site of a scale model of Derek Jarman's house, Prospect Cottage, where they could make works of art. Like the original Prospect Cottage, however, the house and garden have been transformed into a work of art in their own right.
Martin Postle,
Art of the Garden, exh. cat., Tate Britain, 2004, p.20.

Their work has its roots in the Victorian period, since it has been moulded by the allotment they acquired in Edgbaston in 2001, which lies on ground that was once a Victorian pleasure garden. They initially took it on when they needed somewhere to install their miniature version of Derek Jarman’s Dungeness home, Prospect Cottage, but they soon found themselves entranced. Ivan would come home with tales of his struggles in the shrubbery or his haphazard planting schemes - something one inevitably finds oneself becoming more emotionally involved with that one feels is really becoming - and all of this began to seem like subject matter. A body of expert knowledge met with individual enthusiasm and this was expressed in printed card texts, which began to be issued from the garden. Thus, in the card I received last week, news of Ivan’s joy at his bedding schemes for summer 2004 (modestly and simply relayed): "Geranium Black Jubilee, Marigold Striped Marvel, Begonia Rose Petticoat, Salpiglossis Royale Chocolate, Fuschia Firecracker, Zinnia Peppermint Stick, Hibiscus Red Ace, Petunia Frilly Tunic Burgundy, Salvia Phoenix Bright Lilac..."
But Ivan and Heather Morison also combine this with reportage from the human world. One might say that the roots of this are also in the garden, since the natural life of the garden also coexists with the humanity that impinges on its borders, humanity which often keeps itself invisible to the weekend gardener, and only reveals its work when you turn up and find everything has been pinched. Strimmers disappear from sheds; lines of valuable moulded Victorian edging are lifted from the earth in the middle of the night and, on one occasion, a bottle of cheap Ukranian vodka turned up in the shed. The garden has a secret life that is part of the lives of unknown others. It has a second secret life of the imagination which revolves around the sculptures that have come to litter the overgrown garden: John F. Kennedy sits under the garden seat, Marilyn Monroe is lost and presumed dead under the collapsed apple tree and an entire "lost" tribe reside beneath the tangled gooseberry bush. It is the universe of 1950s Life magazine colliding with a suburban allotment. Garden 114, Westbourne Road Pleasure Gardens, is a place of the mind, an irregular shape of fertile land on which to cultivate a fantasy.

Morgan Falconer, '
Mr and Mrs Ivan Morison / Gertrude Jekyll and Hyde', Foundation and Empire, Article Press, 2004.

A long-term project has been the gardening of a leisure garden in Edgbaston, Birmingham. The act of learning, gardening and the garden itself all constitute the work, with hundreds of people have been to visit the garden. Also during this time the gardens progress has been rigorously documented through drawings, photographs and film, and the successes and failures broadcast through texts printed on cards mailed to a carefully selected mailing list. Various works that have come out of Garden 114 can be seen by clicking on the links below:

Printed cards from Garden 114, 2001-ongoing

Colours in Ivan Morison's garden, summer 2001
Slides, two synchronised projectors, screen, colour charts

Colours and sounds in Ivan Morison’s garden, spring 2002
DVD installation on suspended two-sided screen

Green Bush, 2002
Pencil drawing on graph paper, vinyl text

Ivan Morison is very proud of his Long Green Striped marrow, 2002
Drawing on graph paper

Red Flares, 2002
16 pencil drawings on graph paper

Prospect Cottage, 2000
Wood, clay, old magazines